Hurdles ahead

According to Mandevi, some instruments, like the khin, are still predominantly taught to men. "We're advocating for change," she said, "so that these traditions become fully inclusive."

For teacher Bekh Narayan, preserving Newari music goes beyond gender inclusivity. He emphasized the need for financial support to sustain the tradition.

"Instruments are becoming more expensive," he said. "We've introduced a donation box so even students can contribute, even if it's just one rupee. We need support from the local government too."

Currently, in the Khala, only the girls from Lubhu are part of the group. So they are now planning to include daughters-in-law as well.

"This will help preserve our culture while empowering homemakers with Newari musicianship, ensuring the culture is passed down generations," Bekh Narayan said.

The members of Lubhoo Dhaa Khala believe their efforts go beyond cultural preservation.

Sarishma noted that traditional instruments like the dhaa enrich Nepal's musical heritage.

"They add diversity to the nation's music scene, which is often overshadowed by modern and Western influences," she said.

In Lubhu, the beats of the dhaa are no longer produced by just one gender or generation.

"Ten years ago, when there were few women, our dedication was often questioned," Pradhan said. "Now, with more young girls joining, we feel empowered."

THE KATHMANDU POST, NEPAL